Posted in better writing, creative writing, editing, fiction, showing vs telling, writing, writing tips

Writing Tip: How To Balance Showing and Telling in Fiction Writing

This is a subject that’s near and dear to my heart. Mostly because at one point in my writing journey, I totally sucked at showing the reader what was going on. I was all about the telling, and anytime someone critique my fiction, I always got called out for it.

At first I was ticked off. Why couldn’t people see past what I wrote to see what I actually meant? After a while, I realized how ridiculous that was. The whole point of being a writer isn’t to write, so much as it’s to convey what you mean and feel in a way others can know it too. One of the best ways to do this is to spend time building up your description to show readers what you mean, not just spoon feed it to them.

So how much showing should fiction writing have? I personally think it should be a balance. If you had all showing, or all telling the writing just doesn’t work well. So maybe about half and half? But that all depends on the writer and what’s being written too.

One thing I learned on my writing journey is that developing writing skills take time. Just because you decided to make improvements in a certain area doesn’t mean you are going to see significant results right away. Just be conscious of the change you want to make, and work at it a little each time you sit down write. This particular area took me years to build, but it’s been worth all the effort. Here are a few things I did to develop my showing and telling.

First, I studied examples of showing and what made it different from telling. I even took a course through a writing acquaintance Michael Knost who really helped me understand the key component of what showing more description looks like.

The first thing is to know that a big part of showing is really about emotion, and letting the reader feel what the character is feeling. So it means going a little deeper. And for bonus points, if you can convey a sense of emotion without actually writing the emotion out, that’s where the gold is.

An example would be like this…

Example of Telling: Karen wept for her daughter.

The emotion here is sadness. So let’s show the sadness, and for extra credit let’s do it without saying wept, sad, or sorrow.

Example of Showing: The savage storm raged inside Karen as tears streaked down her cheeks in a relentless waterfall.

That’s a pretty big difference. Those sentences are conveying the same idea (or emotion), but in a totally different way.

For me, this wasn’t so easy in the beginning. I was so used to telling that it felt like I was walking through molasses every time I had to slow down my writing to add more description. But I realized that in slowing down, I was really doing myself a big favor.

I also started paying more attention to my own emotions. Exactly how I felt during high emotional times. What sort of analogies I would liken those emotions to. And where I might feel those emotions in my body.

I also purchased this handy book The Emotional Thesaurus. This resource has been the single most used writing tool I have ever used. In fact, I don’t even have to pull it out most of the time now. I’ve pretty much memorized many of the more common emotions that I use in my writing.

Continue reading “Writing Tip: How To Balance Showing and Telling in Fiction Writing”
Posted in better writing, experimental writing, Indie Author, learning about writing, poem

A Poem: Angel

Image from Pixabay

Last year I wrote a poem for a friend for her poem project (to give her a little break). She has been writing a poem every single day for almost four years now. There were some days where she just wanted to quit, but she kept going. She had a determination to write a poem for a specific amount for time, and she was going to do it, no matter what.

I have been watching her progress over the years, and have deeply admired her staying power. I also love her use of words. The exactness of them. And her unfolding imagery is really quite wonderful. I also love that she writes poems in a wide range of ways, not just sticking to one or two specific formats.

Anyways, I stumbled across the poem I wrote for her recently, and thought I would share. I wasn’t really into writing poems when I wrote this. In fact, for years I shied away from poem writing afraid to give it a shot. But when I saw what Hannah was doing, she inspired me to give it a try.

Since writing that poem for her last summer, I have dabbled in writing poems off and on. I have found that I like the challenge of finding exact words to convey a meaning, and this practice has made me a stronger writer all around.

So here it is below.

Angel

I see you are having a bad day.

I see that frown.

I see those hunched shoulders.

Don’t snap at me. I didn’t do it.

I know this sucks.

I know you’re hurting.

Don’t you know? It’s going to get better.

Maybe not today.

Maybe not tomorrow,

But it will.

How do I know? You ask.

Because I’m your angel, Dear One.

And I’ll be right here,

Each step of the way.

You are not alone.

If you have the chance, check out Hannah Six’s #1462PoemsProject. She posts links of her poem project on multiple social media formats (Twitter and Instagram) are the ones I follow), but you can also go directly to her blog and see all her poems.

I hope you enjoy!

Posted in A Writer's Life, better life, better writing, creativity, inspiration, The Writer's Toolbox, writing, writing better

A New Way of Writing: The Magic of Inspired Action

image form Pixabay

Have you ever been here? You look at your desk, and it’s piled high with unfinished projects. You also have a notebook of projects ideas you haven’t even started, but really want to. But the frustration eating at you to complete something doesn’t really give you freedom to tackle… One. More. Thing. *heavy sigh*

That’s how I used to be, until recently. Not that long ago, I realized something. I realized I had other loves other than writing. And that I worked better when I wasn’t solely focused just on writing. Instead of being stuck with one project, and only that project until it was completed, I began to mix things up.

One day, I’d work on book cover art. Another day, I might edit. And maybe a few days, I’d actually sit down to write. Some days, I even managed to do a little of everything. It’s a far cry from the old days.

I remember the days when I would work on my novel Blood Feud for weeks, months at a time, and I would not allow myself to do anything else. If I was writing, that was what I would work on, even if I didn’t feel like it. I eventually finished the book by sheer will alone, but I was exhausted and completely burned myself out of writing for a long time. Getting that book completed and published was not worth the price I paid.

Now, many writers say that’s how you get novels written. You put your butt in the seat, and you write, even if you don’t feel like it. And yes, eventually the faucet does turn on, but it feels like pulling teeth to get there. It’s damn uncomfortable, and for me, not productive considering how much time I spent just trying get myself in the mindset to write.

I have found a better way. It’s by working through inspired action. I don’t act, until I feel inspired to act. In working this way, my productivity has sky rocketed.

Continue reading “A New Way of Writing: The Magic of Inspired Action”
Posted in A Writer's Life, better writing, build confidence as a writer, free writing, How to Be a Writer, how to write, The Writer's Toolbox, writing, writing advice, writing discipline

5 Steps to Setting Up a Daily Habit of Writing

image from Pixabay

In order to be a writer, one must write. But let’s face it, it’s not always easy to find the time to fit writing in, especially as a daily thing. But I’ve been writing long enough to know that I’m a lot more successful at writing, when I make writing a daily habit. So let’s take a look at five steps to be a daily writer.

Step 1: Time of Day

First identify the best time of the day to write for you. Everyone will be different, so don’t judge what works for you against someone else’s writing time. If you aren’t sure, do some experimenting. Is it first thing in the morning that you do the best writing? Is it midmorning or midday? Or is it the afternoon, or late at night?

Step 2: Set a Time Period

Next, set a period of time that you will write. This can be anywhere from 15 to 30 minutes, to several hours, or more. Even if it’s just a short writing session, if you are writing everyday, then that time will add up. You may find too that somedays you will get more writing in than others, and that’s okay.

Step 3: Have a Routine to Get You Started

It’s a lot easier to start writing if you are in the right mindset. Otherwise you could be sitting for half your writing time or more just trying to get into the piece you want to write on. There are many ways to get into a writing mindset. I will list a few here.

  • Listen to music you have specifically for writing
  • Start by free writing for 10 minutes or so to get into writing
  • Spend a few minutes clearing your mind and setting an intention on what you plan to do
  • Have a specific spot that you write and only write so when you sit down you are automatically put in the writing mood
  • Use a “writing hat” which is anything you wear or have near you while writing

You can do one or more than one of the above, or even come up with your own way(s). The important part is having a routine, so that your mind knows you are sitting down to write, and it’s time to get to business.

Step 4: Do Things to Prep for Writing

It’s important to only write during the time you allot to write. This may mean doing some prepping before hand such as letting anyone who lives with you know not to bother you during this time, turning off distractions like the phone or access to internet, and deciding the day or night before what you will be writing on. If you set an intention to write on something specific, you will be far more likely to have a great writing session the next day.

Step 5: Have Fun With Writing

Most important step of all. Don’t forget to have fun with writing! That’s why you started writing in the first place isn’t it? Writing was fun. It was exhilarating as you created new characters and worlds, or mind-blowing nonfiction. That should still be the case. Don’t let your deadlines or feelings of obligations suck all the fun away. Remember why you started writing, why you keep writing, and how much fun it is to play with words!

Do you already have a writing routine, and would like to share? Please feel free to post in the comments.

Posted in action, beginning, better writing, great writing, how to write, The Writer's Toolbox, writing

3 Ways to Make an Engaging Start to a Story, Chapter, or Novel

How does a writer start a story, chapter, or novel to make it engaging and keep the reader interested? After all, a story can be good, but are there are some key elements to making a story, chapter, or novel stand out? There are actually, and this post will address three of them, and I’ll give some examples of really fantastic starting lines I’ve come across in my reading.

Have you read some of the classics (even just dating back a few years ago) where the authors take the time to build a relationship with the reader? The stories start at a leisurely pace and it may take awhile to see any real action. That was nice and great, but unfortunately to be a writer in this day and age you have to forego the hand holding and get right into it. You can do the hand holding stuff, but do it while you are hooking the reader.

1. Start in the Middle of Action

One of the best ways to engage and hook the reader is to start in the middle of some sort of action. If you are starting a story or novel, then it should be bigger and more attention grabbing action.

What sort of action? Ask yourself this question. If you were starting to read a new book or story what would grab your attention?

Maybe your character is in the middle of fighting off a mugger? Or maybe your character is in the middle of a car accident. You can even do a smaller action like maybe a student just dozed off in class and smacked his head against his desk. Or maybe your character is driving down a dark road and the gas light is blinking and there’s not a gas station in sight.

How big the action is isn’t nearly as important as the action itself. Start with that blinking empty fuel tank light, or your character dodging a fist, and go from there. Engagement in this way creates interest, and then the details can be filled out as you continue further into the story.

Here’s an intriguing action line that opens the book The English Assassin by Daniel Silva.

Marguerite Rolfe was digging in her garden because of the secrets she’d found hidden in her husband’s study.

Continue reading “3 Ways to Make an Engaging Start to a Story, Chapter, or Novel”