Plotting Your Novel by Writing from the Middle

As a writer, I am always learning. I think that’s what I love most about writing — the learning never stops. I am either learning something new about myself and writing as I write, or I stumble across new information as I am looking to learn more about writing. This time it was the latter. Recently on Twitter, I ran across a book recommendation for plotting that I loved so much I had to share it here.

Write Your Novel From The Middle: A New Approach for Plotters, Pantsers and Everyone in Between by James Scott Bell is must read for anyone serious about writing. This book goes into detail about why writers should start from the middle of a story instead of the beginning or end (who would of thought!). And how finding a character’s “mirror moment” is essential to true character development.

I definitely believe character development is a key element in a story. The more a reader can relate with a character and feel for a character’s journey, the better the book becomes. And this method certainly will help with that!

This book also helped me realize that I’m a Tweener (I always thought myself a straight up Pantser). I do love writing by the seat of my pants. That’s how I get some of my best ideas, but I also know where I’m writing too as well. I have a loose idea of events I need to reach and about where I need those events to happen. Also, I find already knowing my ending is a necessity to writing, even if I don’t know specifics. Just having a good idea of where I need to stop gives me a clear goal to reach for. But after reading Bell’s book I have an even better way to approach my writing. Start in the middle and Pants my way to the beginning and end. I’ll still have those events and goal posts to reach, but I think it will be far easier to get there knowing exactly what the character’s journey should entail.

And you know this book couldn’t have come at a better time for me. I’ve become somewhat stalled on writing the first draft of my second novel. I think this technique will get things churning quite nicely. Thanks Bell. 🙂


Writing is More Thinking Than Actual Writing

What is the most frustrating part about being a writer? I don’t know about other writers, but for me its discovering a fabulous idea that I start writing on, and then part way into the story the idea fizzles, or I lose interest- So much for that fabulous idea. It gets tossed on that dusty shelf where all stories usually never get a second glance. After awhile, looking at the cluttered shelf can get more than a little depressing and I wonder, “Why can’t I finish anything? Why can’t I find a story I really want to write?”

Answer… Because I haven’t spent enough time developing any idea to the point where I can really know it to feel it inside and out, up and down, and all the way through to the deepest core of the idea.

I’ve noticed as a writer that the stories I spend more time thinking on always come out clearer and more fully formed. In fact, as a rule now I don’t even put my story to paper unless I have spent a days, weeks, or even months pondering on characters, backstory, emotional motivations, and different possible plot lines. Once I feel like I have a strong connection to the idea, then I begin to write it down. The words flow and I can’t seem to write fast enough. The stories have complete structure beginning, middle, and end. The best part is I feel a much stronger connection to the characters than I ever did just plopping ideas down as soon as they are breathed life.

I recently heard a piece of advice Ray Bradury gave a fellow writer… “Writing is 99% thinking, and the rest is typing.” When I heard that quote I could only think, “Wow, if only someone had told me that years ago it would have saved me a lot of trouble.” But then I doubt I would have understood that as I do now.

Here are some Ways to Get the Mind Thinking.

Understanding the Foundation of Plot

Most writers understand the basic equation that plot equals a story.
Plot = Story
But what is plot exactly and how can you break it down to the point where you can understand each moving part, so that the whole will come together in a moving body of perfection? There are actually three very basic things to know about plot and how it is conceptualized. This is done through 3 elements called idea, concept and premise. These three things are distinctly different from one another, but build upon one another to make the full idea of plot a thing of reality. If we know each of these steps of plot then we can better understand how it is created.
What is the Idea of a story? An idea is simple. It is one thought that can sum up the whole of a story in the most basic terms. To help show examples of a story idea I have chosen three well known literary stories Treasure Island by Robert Louis Stevenson, Adventures of Tom Sawyer by Mark Twain, and Journey to the Center of the Earth by Jules Vern to draw upon.
Examples of a story IDEA…
Treasure Island= finding treasure
Adventures of Tom Sawyer (this book has multiple story arcs but this is the main idea that the rest of the book is centered around)= murder of a man
Journey to the Center of the Earth= search for an ancient passage to the center of the earth
What is the concept of a story? A concept gives a bigger picture of the story. It is where the conflict can be found and asks the main question of the story. It is a snapshot of the story or a window into the plot itself, but is not the whole of the plot.
Examples of story CONCEPT…
Treasure Island= finding treasure sought by every pirate and cut throat in the known world
Question of the story: Who will get to the treasure first?
Conflict: Many unsavory and ruthless individuals looking for the same treasure, who are willing to do whatever it takes to get there first.
Adventures of Tom Sawyer= murder of a man leads to another man being wrongfully accused of the murder
Question of the story: Will the wrongfully accused man be found innocent?
Conflict: The truth of a murder is covered up by subterfuge, false assumptions, and innocent lies.
Journey to the Center of the Earth= search for an ancient passage to the center of the earth that leads to an epic journey of fantastic discovery
Question of the story: What will be discovered in the journey to the center of the earth?
Conflict: A journey that halted and stalled by events that can be controlled and some that cannot.
What is the premise of a story? A premise is a concept that is expanded to include a character(s) that is brought into the mix of things. This is when plot becomes flesh and blood. If you have a premise, then you have a fully developed plot.
Examples of story PREMISE=
Treasure Island= finding treasure sought by every pirate and cut throat in the known world, but a youth unwittingly becomes drawn into the fierce competition when he accidentally stumbles across Captain Flint’s treasure map. 
Adventures of Tom Sawyer= murder of a man leads to another man being wrongfully accused of the murder, the only witnesses to the truth are two boys Tom Sawyer and Huck Finn who happen to have a knack for finding trouble
Journey to the Center of the Earth= search for an ancient passage to the center of the earth that leads to an epic journey of fantastic discovery lead by an eccentric professor of science whose impatience is rivaled only by his obstinate nature
As you can see the idea, concept and premise build upon one another to help build the story to a completed plot. Once this completed plot is discovered the story can then unfold. Sometimes the seed of a story can sprout without first knowing the idea behind the story. The seed can come in the form of a concept, character, or theme (theme is the essence of the story such as Treasure Island’s theme is about truthfulness and loyalty. Can you figure out the themes for The Adventures of Tom Sawyer and Journey to the Center of the Earth?). This seed can then be watered by inserting in whatever information is missing from the idea, concept and premise. If you have a missing link in any of these three basic elements then there will be a hole in your story, which will cause your plant to wither and die.
What can all of this information do you for you? It can help you have a better understanding of your story and how a story is born. Remember that your concept must ask a question and be the catalyst for major conflict in your story. Also keep in mind that a story cannot stand by itself without a character to propel it forward. These things once known become the life blood of your story and act as a skeleton for the rest of your story as it blossoms into a beautiful flower or tree. So what are the idea, concept and premise of your creation?
Want to read more on plot check out my other blogs on A Breakdown of Plot Diagrams and Does Nonfiction have Plot.

The Building Blocks of Plot

I recently became aware of a detrimental flaw to my works of fiction to find myself unable to complete many of my stories. I began to realize that my problem laid with my fundamental understanding of plot and so I decided to dive into research to try and find a way to fix this problem. During my journey that spanned over two months, I found a lot of helpful information and began taking notes- lots of them. I then decided that there may be others out there with my same problem and so began to write an article on plot, but there was a problem. There was way too much information to fit in a 500 to 700 word article, so I began a series of articles. Then a friend of my suggested putting the articles together to create an ebook, so here is the finished product of all that effort. I place it here for those who would like to read it. Hopefully you too will find some use for it. It certainly isn’t a full comprehensive about plot, but it will at give you an idea of what good plot is and how to use it to get that story out from start to finish!

I have the free ebook posted on Google Docs. Check out the link at The Building Blocks of Plot.