It has been a long road since I started writing my novel Blood Feud. The journey began in April of 2012. I remember it well — a month of straight writing where the ideas just flowed like water. They pooled onto the page with little effort as months of thinking about my story and characters finally found a permanent place on the page. My story flourished but my poor family suffered from neglect. So at the end of the month and about 50,000 words later, I took a break. A few weeks later I came back to my marvelous work of art to realize everything I had written was total crap. And that pretty much sums up the next four years. Awesome spurts of writing where words flowed and family suffered just to end up with… yep you guessed it, more crap.
That my friends is the way of the writer as I am sure some of you are quite familiar with.
But something happened in my fifth year of writing. During my sixtieth (and really that’s not much of an exaggeration) rewrite of Blood Feud, the crap fell away and a good story finally started to form. At least to the point where I felt confident enough to send my work to a professional author, editor, and friend (Michael Knost) so he could tell me it was crap too. And to my surprise, he said it was a pretty awesome story.
Crap, what do I do now?
Continue reading “Taking the Plunge to Self-Publish”
We’ve already talked about the query package and writing an effective cover letter, let’s get to the really hard part… the synopsis. First I want to say that I’ve found it’s impossible to write just one synopsis. To get a great synopsis, it’s better to do a few, because let’s face it your publisher is going to want more than the one to three page synopsis you submitted if they do accept your novel. They’ll most likely want a shorter blurb for the back cover. Also some publishers want more than a one to page synopsis when submitting to them, so why not just get them all done at once and be done with it.
For me it was easier to do the really long synopsis first. The chapter by chapter sum up of the entire novel, which reached a huge twenty pages. I doubt any publisher will want all of that, but it was good for me because I did not previously have what others might call an outline. Many of you may already have this chapter by chapter summary or outline completed. But I don’t do written outlines as I’m writing because I’m a pantser. I feel outlines distract from letting the story flow where it needs to go. So if you like to be organized and have a nice neat outline down before you even write the first word of your novel, then you can totally skip this step.
Continue reading “Novel Submission Part 3: Creating Multiple Synopses”
We talked about Novel Submission Part 1: The Query Package, but now let’s get more specific and discuss how to actually write a cover letter (and FYI, writing a novel cover letter is different than a short story cover letter, in fact there are some publications that don’t even require a cover letter for short story submissions).
The following post is an accumulation of what I learned from Gary A Braunbeck’s worksop on cover letters and synopses, research I’ve done, and my own observations as I wrote the cover letter for my novel.
Here are some important things to keep in mind as you begin to write the cover letter (or what some call a query letter)…
Continue reading “Novel Submission Part 2: Writing an Effective Cover Letter”
What a great question, and one may writers struggle to answer in their writing journey. The best part about this question is there is no wrong answer. And yet, a writer often feels like the whole world hinges on that one important question… Should I write a novel or a short story?
The simple answer is… it depends.
It depends on the subject matter, how long you really think it will tell the best story, and how much staying power you have. Let’s face it, writing a novel is not easy. Many people have tried and failed. And many people have succeeded and wished they’d just wrote a freaking short story.
Continue reading “Should I Write a Novel or a Short Story?”
This one is a doozy for me, especially since my novel has five different point of views (POVs) that I am telling the story from. There have been many, many times where I question my decision as to whether I really need to be inside five different heads. Can’t I just manage with my main character? Because it sure would be a lot easier and my novel would be done long by now. But I keep coming back to the answer of… yes.
My story is such that it’s bigger than the main character. It’s more than just about the people. It’s about the world they live in and the choices each person makes and how those choices affect the bigger picture. And because of that, the reader really needs to get a front row seat with each of these five major players.
Continue reading “The Difficulty of Writing From Multiple POVs”