As a writer, I am always learning. I think that’s what I love most about writing––the learning never stops. I am either learning something new about myself and writing as I write, or I stumble across new information as I am looking to learn more about writing. This time it was the latter. Recently on Twitter, I ran across a book recommendation for plotting that I loved so much I had to share it here.
I definitely believe character development is a key element in a story. The more a reader can relate with a character and feel for a character’s journey, the better the book becomes. And this method certainly will help with that!
This book also helped me realize that I’m a Tweener (I always thought myself a straight up Pantser). I do love writing by the seat of my pants. That’s how I get some of my best ideas, but I also know where I’m writing too as well. I have a loose idea of events I need to reach and about where I need those events to happen. Also, I find already knowing my ending is a necessity to writing, even if I don’t know specifics. Just having a good idea of where I need to stop gives me a clear goal to reach for. But after reading Bell’s book I have an even better way to approach my writing. Start in the middle and Pants my way to the beginning and end. I’ll still have those events and goal posts to reach, but I think it will be far easier to get there knowing exactly what the character’s journey should entail.
And you know this book couldn’t have come at a better time for me. I’ve become somewhat stalled on writing the first draft of my second novel. I think this technique will get things churning quite nicely. Thanks Bell. 🙂
We talked about Novel Submission Part 1: The Query Package, but now let’s get more specific and discuss how to actually write a cover letter (and FYI, writing a novel cover letter is different than a short story cover letter, in fact there are some publications that don’t even require a cover letter for short story submissions).
The following post is an accumulation of what I learned from Gary A Braunbeck’s worksop on cover letters and synopses, research I’ve done, and my own observations as I wrote the cover letter for my novel.
Here are some important things to keep in mind as you begin to write the cover letter (or what some call a query letter)…
I recently was told about Writing the Breakout Novel Workbook by Donald Mass and decided to order a copy and give it a shot. Wow! What a difference it has made in the way I approach a story. This book is a wonderful way to help work out the character and plot kinks of a novel, but it is also very helpful with short stories as well.
This book is sectioned off into three parts Part 1: Character Development, Part 2: Plot Development, and Part 3: General Story Techniques. Each part then goes into great detail about each element within the categories. I love that Donal Mass has included a little “lesson” and follows up with exercises where I can input my own information, depending on the story I want to work on.
I highly recommend this book to anyone serious about writing a novel, or writing period. I, for one, give it huge points just for helping me figure out the tangled weave that is my novel Blood Feud. Thank you, Donald Mass.
Note: This Writing The Breakout Novel Workbook is NOT the same as the Writing the Breakout Novel. I have yet to read the latter, but from reviews, the Workbook is geared more to actively working on the plot of a story. The Writing Breakout Novel seems to take a more academic approach.
Between the Lines by Jessica Page Morrell was highly recommeded to me by other fellow writers, but I only recently purchased and read it. I wished I’d done it sooner. It’s a wonderful book that really dives into the more subtle elements of fiction writing. It’s already in my favorite book category, and I’ve only read up to chapter 8 so far.
This book is all about honing the blending and balance of words and structure to create a superior piece of work. Some of my favorite chapters consist of topics such as; what to do about backstory, epiphanies and revelations, foreshadowing, and imagery. These chapters has already changed the way I approach my writing, and I’m especially looking forward to reading the other topics, which includes (but not limited to); pacing, sensory surround, and subplots.
I love that this book goes into topics you can’t really find in other writing books, and if you can find it, the topics feel rushed. In Between the Lines, Jessica Morrell takes the time to break down each topic until it’s quite understandable. If you are looking for a way to give your writing that shining polish and deeper meaning, this is the book that will help you get there.
At the beginning of the month I picked up a book that drastically changed my way of thinking as a writer. It is why I took a bit of a hiatus from this blog so that I could focus on the book and what it had to offer. I have to say it has made a significant impact on me. Barbara Baig’sHow to be a Writer gave me what no other writing book or writing class had given me, permission to explore and experiment in my writing.
My writing up to this point has been a self guided tour of something I’ve always wanted to do. I lacked the specific education and knowledge of how to be a writer, so I struck out on my own to find my way. In that journey, I found I really enjoyed writing and what it had to offer me. I occasionally had good ideas to write about, but as I wrote and practiced the craft of writing, I was constantly blocked by insufficient ideas to write about and believed I had a really bad case of writer’s block.
This became quite frustrating even though I had helpful advice from writing friends, online classes and other writing books. I knew in my head about the writing process and how to fight writer’s block, but it wasn’t until I read Barbara’s book that explained it in a way I could understand. I realized that it wasn’t that I had writer’s block, but my approach to writing was hindering my ability to write.
Barbara’s book is full of writing exercises centered around free writing, which asks questions that keep the pen moving. She also explains the writing process in great detail, breaking it down into individual parts of the seven main writer’s powers (Creativity, Memory and Expertise, Observation, Imagination, The Subconscious, Curiosity, and the Sherlock Holmes School of Writing). She discusses how to develop the content-mind of a writer and how to write to readers instead of for readers.
The book is all about empowering the writer and I highly recommend it anyone who is just beginning as a writer, or the seasoned writer who needs to get back in touch with their inner writer. It certainly helped me and I will continue to use on my never-ending journey of how to be a writer.