As a writer, I am always learning. I think that’s what I love most about writing — the learning never stops. I am either learning something new about myself and writing as I write, or I stumble across new information as I am looking to learn more about writing. This time it was the latter. Recently on Twitter, I ran across a book recommendation for plotting that I loved so much I had to share it here.
And you know this book couldn’t have come at a better time for me. I’ve become somewhat stalled on writing the first draft of my second novel. I think this technique will get things churning quite nicely. Thanks Bell. 🙂
We talked about Novel Submission: The Query Package, but now let’s get more specific and discuss how to actually write a cover letter (and FYI, writing a novel cover letter is different than a short story cover letter, in fact there are some publications that don’t even require a cover letter for short story submissions).
The following post is an accumulation of what I learned from Gary A Braunbeck’s worksop on cover letters and synopses, research I’ve done, and my own observations as I wrote the cover letter for my novel.
Here are some important things to keep in mind as you begin to write the cover letter (or what some call a query letter)…
Continue reading “Novel Submission: Writing an Effective Cover Letter”
Between the Lines by Jessica Page Morrell was highly recommeded to me by other fellow writers, but I only recently purchased and read it. I wished I’d done it sooner. It’s a wonderful book that really dives into the more subtle elements of fiction writing. It’s already in my favorite book category, and I’ve only read up to chapter 8 so far.
This book is all about honing the blending and balance of words and structure to create a superior piece of work. Some of my favorite chapters consist of topics such as; what to do about backstory, epiphanies and revelations, foreshadowing, and imagery. These chapters has already changed the way I approach my writing, and I’m especially looking forward to reading the other topics, which includes (but not limited to); pacing, sensory surround, and subplots.
I love that this book goes into topics you can’t really find in other writing books, and if you can find it, the topics feel rushed. In Between the Lines, Jessica Morrell takes the time to break down each topic until it’s quite understandable. If you are looking for a way to give your writing that shining polish and deeper meaning, this is the book that will help you get there.
At the beginning of the month I picked up a book that drastically changed my way of thinking as a writer. It is why I took a bit of a hiatus from this blog so that I could focus on the book and what it had to offer. I have to say it has made a significant impact on me. Barbara Baig’s How to be a Writer gave me what no other writing book or writing class had given me, permission to explore and experiment in my writing.
My writing up to this point has been a self guided tour of something I’ve always wanted to do. I lacked the specific education and knowledge of how to be a writer, so I struck out on my own to find my way. In that journey, I found I really enjoyed writing and what it had to offer me. I occasionally had good ideas to write about and even managed to get a short story published and win an online contest, but as I wrote and practiced the craft of writing, I was constantly blocked by insufficient ideas to write about and believed I had a really bad case of writer’s block.
This became quite frustrating even though I had helpful advice from writing friends, online classes and other writing books. I knew in my head about the writing process and how to fight writer’s block, but it wasn’t until I read Barbara’s book that explained it in a way I could understand. I realized that it wasn’t that I had writer’s block, but my approach to writing was hindering my ability to write.
Barbara’s book is full of writing exercises centered around freewriting, which asks questions that keep the pen moving. She also explains the writing process in great detail, breaking it down into individual parts of the seven main writer’s powers (Creativity, Memory and Expertise, Observation, Imagination, The Subconscious, Curiosity, and the Sherlock Holmes School of Writing). She discusses how to develop the content-mind of a writer and how to write to readers instead of for readers.
The book is all about empowering the writer and I highly recommend it anyone who is just beginning as a writer, or the seasoned writer who needs to get back in touch with their inner writer. It certainly helped me and I will continue to use on my never-ending journey of how to be a writer.