You may have heard the term Deep Third or Deep Point Of View, but what does it really mean?
“Deep POV is to the writer what method acting is to the actor. It requires the writer to submerge herself in the character from whose point of view a scene is being seen. It requires a casting off of all inhibitions. The writer becomes the character.” (Exert from an article by Maeve Maddox at www.dailywritingtips.com).
Deep Third is writing in the Third Person but taking it further by slowing down time and showing the reader what’s going on from the character’s point of view. It uses the surroundings, thoughts, feelings, or anything else to steep the reader with what’s going on in the characters head. Sensory detail (the use of sight, sound, smell, touch and taste) can play a role in this as well. But it’s the thought process of the character that the reader needs to be plugged into. It’s about giving the reader an opportunity to “step into” the characters head and be the character without even realizing it (if the Deep POV is done right).
“What makes a point of view “deep” is how “close” we are to the viewpoint character’s thoughts.” (Exert from a blog by Jordon Mccullum)
The closer a writer can get to the character the more deep the point of view will be. In fact, it can take the reader from watching the character walk across the street to the reader actually feeling like they are the one crossing the street.
It was a rainy morning as Janelle reached the cross walk with umbrella in hand. She waited for a lull in the traffic and walked across the busy street, not bothering to wait for the Don’t Walk sign to change. Janelle raced to the other sidewalk determined not to be late for work again.
“Get out of the road!” a driver yell as he honked the horn of black sedan, spraying mud in all directions.
Janelle stumbled to a stop almost losing her balance on the slick asphalt. Mud soaked her slacks, coat, and even her face. She groaned as she continued to the sidewalk. Janelle spat onto the ground to get the taste of dirt out of her mouth. She looked up to see a young mother pushing a stroller, giving Janelle an astonished look.
A light drizzle splattered on her open umbrella as Janelle reached the cross walk. A Don’t Walk sign flashed a harsh warning. Janelle gave her watch a nervous glance. The digital numbers declared it 8:57. Late again. Mr. Roberts would be furious. She’d been making it a habit of being late for work, because of Sophie’s appetite for trouble. That damn dog! She should have known better than to take on a new puppy right now. It would probably cost her that promotion she’d had her eye on. Janelle could already feel the heat of Mr. Robert’s wrath, sending a shiver through her despite the heavy wool coat.
Janelle peered through the mist to the sidewalk across the street. She still had three minutes. Janelle noticed a lull in the busy traffic. What the hell! She might make it if she hustled. Her building was less than a block away. Janelle sucked in her breath and stepped onto the slick asphalt, ignoring the orange words that blinked in silent rebuke. The thick musk of motor oil filled her nostrils as she raced forward.
“Get out of the road!” a man’s voice screamed, matching the pitch of a bellowing horn.
Black mud spurted into the air and rained down on her. She could feel the liquid goo on her face and in her mouth. She looked down to find her gray slacks and coat covered. Just great! Her new outfit was ruined. Janelle shot a heated glare at the taillights of the speeding sedan. Jerk!
As you can see, writing in deep third increases the word count, but the picture in the readers head is much clearer because of it. Even though deep third is a wonderful tool, a story shouldn’t be written completely this way because it does slow down the momentum of the story. A sprinkle of deep third in just the right places should be enough to get the job done, so sprinkle away!